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Editors' Choice
Titles for November 2005:
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complete Table of Contents]
THE DEATH OF
ACHILLES
Boris Akunin, Weidenfeld & Nicolson, 2005, £12.99, hb, 330pp,
0297645536
Those
of you who have read any of the other three novels by Boris Akunin
already available in English will need no encouragement to read this
latest work to be translated from Russian. Yes, Erast Fandorin is
back, more like James Bond than ever, complete with the Japanese
manservant with whom he practises martial arts in his hotel bedroom.
But of course Fandorin is also a master sleuth, Bond with the
deductive powers of Sherlock Holmes. This time he is back in Moscow
in 1879 investigating the sudden death of the military hero, General
Sobolev.
The first half of the book is classic Fandorin, a
swashbuckling romp in elegant, measured prose. Then halfway through
the story changes tack. The second half is written not from the
viewpoint of Fandorin but from the viewpoint of the assassin.
Whodunnit becomes how-does-he-get-caught, and in the process it
becomes a deeper, more psychological thriller.
It took me a while to adjust, but it worked. There are still
more Fandorin books out there in Russia, and I am sure that there are
many like me who are looking forward to their arrival in the English
speaking world.
--Edward James
THE OLD
BUZZARD HAD IT COMING
Donis Casey, Poisoned Pen Press,
2005, $24.95, hb, 220pp, 1590581490
Mystery
readers everywhere, rejoice! This first of the Alafair Tucker
mysteries introduces an engaging new heroine to treasure. Set during
the cold winter of 1912 on the Oklahoma frontier, Alafair Tucker is a
farm wife and mother of nine. She determines to discover the murderer
of an abusive neighbor, even when the clues point to his eldest son,
whom Alafair’s daughter Phoebe loves and who is hiding in one of the
family’s outbuildings.
Don’t be misled by the unfortunate title and cover design.
Casey’s novel brims with wit, humor and the occasional devastating
sorrow. Alafair and Shaw and their wholesome brood stand in sharp
contrast to the murdered man and his family. Their children run
through household duties as if sired by the Gold Shoe bunny so their
mom can work her investigation around the authorities and the
expectations that she’ll stay within her female sphere. She works
those expectations to her own advantage. Alafair is naturally curious,
wise, and a bit too courageous for her own good now and then, when
she’s also lucky. If the wholesome meter gets to tipping, a welcome
touch of magical realism saves the novel from sentimentality. A deep
pleasure to read, and a few of Alafair’s recipes are included! I can’t
wait for the next adventure of this original new sleuth. Highly
recommended.
--Eileen Charbonneau
THE MARCH
E. L. Doctorow, Random House, 2005, $25.95/C$35.95, hb, 365pp,
0375506713
To be pub. in the UK by Little Brown, 2006, £10.99, pb, 384pp,
0316731986
The
March unfolds in sporadic episodes in the
same manner as this historic military maneuver wended its way through
Georgia and the Carolinas at the end of the War Between the States. As
inhuman as the bare facts are when taken at face value, we learn
enough about General William Tecumseh Sherman and his personal demons
to understand, sympathize with, and admire him as both man and
general. As the march progresses, we meet soldiers of both armies,
including a pair of Confederate misfits who conveniently wear
either uniform. Among the stragglers and followers are women who have
lost husbands, sons, homes, their purpose in life. We meet Mattie
Jameson,
a widow, seeking her two sons taken as adolescents into the
Confederate army; Emily Thompson, daughter of a Southern judge, who
has a brief involvement with Colonel Sartorious, an outstanding Union
Army surgeon; and Pearl, a beautiful half-white, freed slave on the
brink of womanhood and searching for her destiny.
This is vintage Doctorow. His sympathetic portrayal of the
havoc and destruction wreaked on a helpless civilian population is
brilliant. His insight into the suffering, both civilian and military,
is compassionate. The March is a forceful and mesmerizing
literary novel.
--Audrey Braver
THE CONSTANT PRINCESS
Philippa Gregory, Touchstone, 2005, $24.95, hb, 375 pp, 074327248X
Pub. in the UK by HarperCollins, 2005, £17.99, hb, 0007190301
From
infancy, Catalina, Infanta of Spain, daughter of Ferdinand and
Isabella, has been groomed to be the Queen of England. She travels to
England as a young girl, torn out of her familiar surroundings, not
speaking English, and thrust into a world she cannot fathom. Yet she
has the presence of mind, the rearing and the maturity to cope with
everything and anything that is thrown at her. She never forgets that
she is to be Queen of England someday. That is her one and only goal.
It is by the strength of her character, her resilience and her talent
that she discovers a way to make that goal a reality.
The facts are well known, but the way that Gregory tells the
story is a wonder. The transformation from the young Catalina to the
mature Katherine of Aragon, dryly recounted in our history books,
comes to life in Gregory’s talented hands. Moving between third-party
narrative and personal revelations by Catalina, we are made privy to
the Infanta’s tortured introduction into English life, her love affair
with her once-despised husband, Arthur, her widowhood, and her
machinations leading her to the throne of England by marriage to the
feisty, immature Henry, Arthur’s brother.
The most recent in Gregory’s magnificent Tudor novels, this
is a terrific book and a must read.
--Ilysa
Magnus
THE WIDOW OF THE SOUTH
Robert Hicks, Warner, 2005, $24.95/C$33.95, hb, 414pp, 0446500127
Pub. in the UK by Bantam, 2006, £10.99, pb, 416pp, 059305590X
"The
widow of the South" is Carrie McGavock, the wife of a Tennessee
plantation owner who, in 1864, finds her house commandeered as a field
hospital by Confederate general Nathan Bedford Forrest. After the
Battle of Franklin, wounded men cram every square foot of Carnton’s
stately rooms. Numbed by the deaths of three children and her
emotional separation from her husband, Carrie discovers purpose in
caring for the remains of a decimated army. Time spent with one of the
injured men, Arkansas sergeant Zachariah Cashwell, helps her heal
wounds from her past, and she goes on to arrange the interment of
almost 1,500 soldiers on her property.
A note from the publisher compares this novel to
Cold Mountain and Gone with the Wind. When I read these
types of claims, I usually smile skeptically, but in the case of
The Widow of the South, the hype is warranted. This is an
intensely moving and wholly believable novel. Hicks crafts his
characters with care, resulting in people we learn to care about, too.
If, like me, you’re not particularly interested in the
American Civil War, read The Widow of the South. It offers what
is found in only the best historical fiction: a story so irresistibly
attractive that you decide upon finishing it to go out and read
everything that’s ever been written about the events that inspired it.
--Claire Morris
IN LUCIA’S EYES
Arthur Japin, translated from the Dutch by David Colmer, Chatto
and Windus, 2005, £12.99, hb, 247pp, 070117795.
Pub. in the US by Knopf, 2005, $24.00, hb, 256pp, 1400044642
In
Amsterdam, 1758, a masked courtesan captures the attention of Monsieur
le Chevalier de Seingalt – who will later come to be known as
Casanova. In the hope of becoming Galathee de Pompignac’s lover,
Seingalt makes a wager with her that she will be unable to find a
single woman whose heart he has broken.
What Seingalt doesn’t know is that Galathee is none other than
his first love, Lucia, the girl he planned to marry before she left
without a word. Lucia’s disappearance crushed him and he never
discovered that she had contracted smallpox and run away because of
her horrible disfigurement. Now years later Galathee knows she can
win the wager and becomes his lover again, accepting that one day the affair will finish and she will once more lose the love of her life.
Arthu r Japin has taken a brief reference to Lucia in Casanova’s
memoirs and expanded it into a tale of tragedy and heartbreak. The
resulting novel is a delightful portrait of 18th century Amsterdam and
a study of enduring love. The author deserves the many plaudits and
prizes lavished on his work in Europe. Congratulations must also go
to David Colmer who seamlessly translated the novel into English from
the original Dutch. His is a triumphant achievement that avoids the
stiffness and lack of sensitivity that has ruined many a translation
before now. In Lucia’s Eyes is a literary work that should
appeal to the romantic in us all.
--Sara Wilson
JOSEPH AND HIS BROTHERS
Thomas Mann, Everyman’s Library, 2005, $42.00/C$55.00/£25.00, hb,
1492pp, 1400040019 (US/Can), 1857152875 (UK)
The
plot of this book is familiar, a more or less chronological rendering
of a portion of Genesis. Thomas Mann’s hefty tome is not just the
story of Joseph and his brothers (the favored son with the coat of
many colors sold into slavery in Egypt by jealous siblings), but also
the story of Joseph's father, Jacob. We read of Jacob stealing his
brother Esau’s birthright and then fleeing to his Uncle Laban’s home,
where the well-known saga of Leah and Rachel unfolds. The book does
not truly become Joseph’s until he arrives in Egypt and begins his
rise and eventual fall because of Potiphar’s lovesick wife. Then
Joseph the dream interpreter, favored by God, rises again to become
Pharaoh’s right-hand man, saving the Egyptians from famine. His
starving brothers come to buy food. After toying with them a bit,
Joseph reveals himself to them, explaining how it was all part of
God’s plan. Of course, the Bible fleshes out this brief summary, but
the Bible leaves a lot open to speculation, particularly any
psychological insights into the motivation of the main actors.
Joseph and His Brothers leaves nothing out. Thomas Mann
wants to illuminate the story’s significance from every angle,
examining every detail, even those details that are necessarily
obscure. Still reeling from the experience, I believe he succeeds.
This is an extraordinary book. Despite its length, its detours, and
the fact that I always knew more or less what was going to happen
next, I was never bored. In a new translation by John E. Woods it is
surprisingly readable, subtly humorous at times, challenging, and
ultimately rewarding. It is by far the best book I have read in years.
--Sue Asher
INDISCRETION
Jude Morgan, Headline Review, 2005, £10.99, hb, 378pp,
075530764X
You
might think that to call your heroine Miss Fortune would handicap her,
but Caroline Fortune is too strong a character for that. When her
eccentric father loses all his money gambling, Caroline is forced to
seek employment. She becomes companion to a positive gorgon of a rich
old lady and is immediately embroiled in her employer’s feud with her
niece and nephew. Caroline enjoys Brighton society, as much as Mrs
Catling allows her to, and there meets an attractive man who does not,
as she supposes, wish to offer her honourable love, but to make her
his mistress. She keeps the humiliating proposition to herself. Even
when she leaves Mrs Catling and finds a welcome in the home of a long
lost aunt, she keeps her own counsel. Caroline soon makes friends and
is accepted in this new milieu, but to her horror she finds her
ungallant suitor from Brighton is the fiancé of her new best friend.
which puts her in a dilemma. How she copes with this difficult
situation and finally finds someone she can truly love ends this
stylishly written, engaging story.
The characters are wonderfully drawn—some seem to have stepped out
from the pages of Jane Austen, others from those of Georgette Heyer.
This is the best Regency I have come across for a long time.
--Pamela Cleaver
THIS THING OF
DARKNESS (US Title: TO THE EDGE OF THE WORLD)
Harry Thompson, Headline Review, 2005, £12.99, hb, 626pp, 075530280X
Pub. in the US by MacAdam/Cage, 2006, $26.00, hb, 800pp, 1596921900
In
1831, HMS Beagle set out on her now-famous second voyage, to
complete the Admiralty’s survey of the South American coast. Her
captain was the brilliant young officer Robert Fitzroy, who had hired
a cleric-in-training to be his intellectual companion and the ship’s
naturalist. This Thing of Darkness is the story of that voyage
and its consequences for both Fitzroy and his ‘scientific gentleman,’
Charles Darwin. The two men got on well, despite their contrasting
temperaments (Fitzroy was a complex manic-depressive, Darwin a
relatively easygoing optimist) and backgrounds (Fitzroy was a minor
aristocrat, a descendant of Charles II, while Darwin belonged to a
family of nonconformist entrepreneurs and intellectuals). But Darwin’s
researches gradually led him into religious doubts, and began to seem
to Fitzroy like attacks on his own fundamentalist Christianity. Lest
this should all seem too dry-as-dust, Thompson has skilfully woven the
conflict of ideas between Fitzroy and Darwin into a tapestry of
danger, adventure, tragedy and satire, a story with a terrific sense
of period and place, peopled with memorable characters, major and
minor. Especially poignant are the tragicomic Fuegians, whom Fitzroy
had brought back to England o n
a previous voyage in order to ‘civilise’ them, returning them on this
voyage
to Tierra del Fuego so
that their compatriots might ‘catch’ civilisation from them.
Judging from the lengthy bibliography provided, Thompson did a
prodigious amount of research, and it’s greatly to his credit that it
enriches, but never overwhelms, the story. It’s hard to believe that
this highly-accomplished novel is the first from an author better
known as a biographer of Peter Cook and producer of the TV show
Have I Got News For You. Deservedly Booker-longlisted, This
Thing of Darkness is by far the best historical novel I’ve read
all year—an engrossing, thought-provoking page-turner that entertained
me for hours on end and showed me many wonders.
--Sarah
Cuthbertson
THE
CRAZYLADIES OF PEARL STREET
Trevanian, Crown, 2005, $24.95/C$34.95, hb,
384pp, 14000080363
As
someone who has lived in the Albany, New York, area much of her life,
I was unable to pass up this memoir cum novel set downtown on
Pearl Street in the late 1930s and early 1940s. Six year old Jean-Luc
LaPointe and his younger sister have been brought to poverty-stricken
North Pearl Street by their mother. Their long-absent father has found
them an apartment, and, for once, they will all live as a family. When
Jean-Luc, Anne-Marie and their mother arrive, they find the kitchen
decorated for a St. Patrick’s Day party, with green streamers and
green soda, and a note from their father saying he’s just gone out to
buy a green cake to make the celebration complete. He never returns.
Jean-Luc is nearing the end of his life as he narrates the
story of his family’s tribulations, and occasional joys, through the
eyes of his younger self. The Depression has had a tremendous impact
on the families of North Pearl Street, and we live with the LaPointes
as they scrimp and manage as best they can. One extravagance that
enlivens their lives immeasurably is a battered Emerson radio they buy
on installment from the local pawn shop. The novel is suffused by the
popular culture of the time: the radio shows and characters that
Jean-Luc incorporates into his “story games,” the movie stars and the
songs of the period. This is the Albany that William Kennedy writes
about, and the Democratic machine is alive and well in Trevanian’s
tale. In fact, Kennedy and Trevanian grew up at the same time just a
few blocks from each other, assuming that Trevanian is Rodney
Whitaker, who lived at the same Pearl Street address as Jean-Luc. I
encourage readers to enter Jean-Luc’s richly described world—you’ll be
glad you did.
--Trudi E. Jacobson
UP FROM ORCHARD STREET
Eleanor Widmer,
Bantam, 2005, $23.00, hb, 390pp, 0553804006
The 1930s lower East Side of Manhattan comes to brimming life in this
novel/memoir. Told from the precocious viewpoint of nine-year-old Elka Roth, the odd duck of her three-generation family, we meet the
people of her Jewish neighborhood and the melting pot city around it.
Characters, both major and minor, come to immediate life. Widmer’s
details, from the squalor of the slum that is the family home to the
delicacies wrought by her beloved grandmother, leap from the page.
Although besieged by crisis, sickness, poverty and
their own frailty, the Roths live each moment with a zest and
intensity that is the envy of uptown relatives, country vacationers
and their constantly fretting team of doctors. Manya, the family
founder and open-hearted nurturer, rises above all. A wonderful
woman’s extreme adventure story of endurance that can take its place
proudly beside The Color Purple, Jane Eyre, and the work
it most resembles in setting and tone, A Tree Grows in Brooklyn.
Highly recommended.
--Eileen Charbonneau
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