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Historical Novels Review Online

 



Historical Novels Review Online reviews novels not covered by the print Historical Novels Review: namely, selected electronically published, self-published, and subsidy-published novels. This column will be published quarterly until further notice.  For details on getting your book reviewed here, please see our submission guidelines.

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Also see reviews from our archive:  Autumn 2004 | Spring 2005

Spring 2005 Reviews:

THE TOLL GATE
Gordon Donnell, Writers Club Press, 2001, $15.95, pb, 226pp, 0595171699
The Toll Gate is set in 1919 as millions of soldiers return from World War I, flooding a recession-plagued U.S. economy that cannot support their influx. The story centers around Edwin McIntyre, a sufferer of obsessive-compulsive disorder who has been released from an insane asylum and sent by a railroad company to break up a strike and communist menace in the frontier town of Denver, Colorado.  Upon arriving in town, McIntyre stumbles into the express car robbery and murder that essentially becomes the focus of the novel.
     The main character is supposed to be a mild-mannered bookkeeper with obsessive tidiness compulsions who, when put under extreme duress, undergoes a radical transition to murdering predator.  Unfortunately, the novel tends to fall flat in characterization.  Everyone encountered in the novel reads as a stereotype with little depth and substance, including McIntyre.  The book seems to have lofty aspirations of tackling both social and political issues as well as portraying the struggle of one man’s fight for redemption.  However, it reads as a rough sketch instead of a fully fleshed out novel.  Soldiers are perhaps mentioned once, social inequality is thrown out in passing but not explored, and communism is rapidly dealt with and forgotten. The stereotypes are so strong that the novel often bounces between feeling like a Western and a gangster movie.  The reader is given few details to actually pin down the time and setting.  The human drama of McIntyre also does not become obvious or meaningful until the closing pages of the book.
     However, The Toll Gate does have moments of interesting action which make it a page turner, and it does finally find its stride and meaning in the last thirty pages of the book, giving the novel a strong conclusion.
Amanda Speight

THE BEND IN THE RIVER
Susan Gibbs, Hawkshadow Publishing, 2001, $19.95, pb, 444pp, 097146670X
In 1877, 17-year-old Emma Jorden witnesses the death of her parents in Indian Territory. She is subsequently rescued by the Cheyenne dog warrior, Shea Hawkshadow, and this brave young half-breed becomes the first love of Emma’s young life.
     The story is essentially told in two interrelated tales. The first tale describes Emma’s life between the time of her parents’ deaths and Shea Hawkshadow’s death. In the first half of the book, Gibbs includes such issues as racial prejudice, violence against women, grief, and betrayal. The second tale relates Emma’s life after Shea’s death. In this second half, in addition to the issues formerly mentioned, Gibbs explores drug abuse, mental illness, and Emma’s struggles to come to terms with the ghosts from her past.
     The strength of Gibbs's first novel is in her character development. The reader is constantly amazed at Emma’s sense of self, her belief in justice for all mankind, and the support she is able to give to those she loves. Shea Hawkshadow, Emma’s half-breed husband, is also a very strong character. His love for Emma enables him to leave his tribe and, with Emma, strike out on a long journey in search of a better life. Many of the characters in this novel are stronger or better than most people in real life. The men who fall in love with Emma would meet any woman’s criteria for “best husband/friend ever.” Occasionally the novel becomes contrived, when convenience or coincidence help the story move along at a faster pace.
     This novel will appeal to readers of romance novels because this story has all of the elements commonly found in the genre--love, sex, and betrayal.
Naomi Theye

CUNVAL'S MISSION
David Hancocks, Dinas, an imprint of Y Lolfa Cyf, 2004, £5.95, pb, 229pp, 0862437091
The story is told through Cunval, a Christian priest who, at twenty-one, is sent to establish a mission parish at the estate of Celtic chieftain Yarl Brockvael.  This novel is set in sixth-century Wales after the Romans have withdrawn and Saxon invasion threatens.  The conversion of hostile Brockvael and his tribe becomes the challenge of Cunval’s life.  Cunval confronts Durwit, Brockvael’s shaman, and faces other dangerous situations.  He is banished from the settlement, builds his own dwelling not far away, and spends time with the children of the tribe.  Although he is not allowed to teach the children Christianity, he often finds ways to share important principles.  Will the young priest’s example of humble suffering, his prayers, and his advanced knowledge of agriculture, carpentry, and other skills be enough to win this uncivilized tribe to Christianity? 
     In this unique book, the author creates an authentic account, faithful to the time period.  However, the manuscript carries some flaws in writing style.  The main characters are believable, but others are sketchily drawn.  The author’s eagerness to share archeological knowledge seems to overshadow his storytelling.  Furthermore, the narrative carries abundant passive voice. 
     The wealth of historical detail will draw some readers but, with re-working, this book could draw a wider audience.
Judith Carroll

MYCENAEAN CHRONICLE
William Harwood, Xlibris, 2001, $21.99, pb, 290pp, 1401034365
According to the author’s statements, The Mycenaean Chronicle is the telling of the Trojan War stripped of mythology.  In essence, this sums up the plot, but does little justice to the rich depth of the biting social and political commentary of the work.  The book recounts the events of the Trojan War from the first-person perspective of an arrogant, pragmatic, and maddeningly complex Agamemnon. The king who led the war against Troy recounts events of the war after the sack of the city and prior to sailing back home.
     Any reader familiar with W. H. D. Rouse’s plain English prose translation of the Iliad will feel comfortable with how Harwood has incorporated many classic conventions, such as the recounting of prince’s lineages, into the work to lend it an air of authenticity. This retelling of the Trojan War takes away the gods, the supernatural, and the saccharine love story that is traditionally associated with the Trojan War.  Instead, through Agamemnon the story lays out solid economic and political reasons for the invasion.  The book exhibits its hard, cynical bite through Agamemnon dressing up the war with religious pretexts in order to sell it to his allies.  The complex and arrogant nature of Agamemnon has him alternately scoffing at uniting under the cheap ploy of religion and speaking as if he honestly believes it his duty and right to enforce his belief on the heathens. 
     The book’s commentary spans far more than the Trojan War.  Sly integration of American slogans and Christian verse make the novel an absolutely scathing criticism and condemnation of American policy, right-wing conservatism, and Christianity. This novel is profane, raucous, bawdy, at times obscene, and definitely not for the prudish, but it is a thought provoking and entertaining read for anyone with an open mind.
Amanda Speight

THE HOUSE OF PENDRAGON, BOOK I: THE FIREBRAND
Debra A. Kemp, Amber Quill Press, 2003, $17.00, pb, 266 pp, 1592798837
Using the legends of King Arthur as a basis, the author has told a stirring tale of the childhood of Arthur’s daughter, Lin. Ignorant of her origins and heritage, Lin grows up in dreadful conditions as a slave on Orkney. Property of Queen Morgause, Arthur’s vicious sister, Lin is given to the queen’s youngest son, Modred, as his personal slave. There is an implacable hatred between the two young people, and Lin suffers rape, abuse, beatings, and many other humiliations at his hands. Her defiance and determination not to let Modred break her spirit and the bond between her and her ‘brother’ Dafydd make what otherwise would be a heartbreaking tale bearable.
     The writing is perfect for this kind of tale: almost modern in its clarity, but with tiny touches here and there to remind one the story is taking place in a time long ago. This is no idealized Arthurian time, but a gritty portrayal of the Dark Ages with all its mud and blood. The characterization is excellent: fierce, indomitable Lin; gentle Dafydd who has music in his soul and longs to be a bard; sadistic, brutal Modred; and beauteous, scheming Morgause spring to life from the page.
     This finely crafted addition to the literature concerning The Matter of Britain is a joy to read. There are hints of what is to come in the next book in the series and I, for one, can’t wait.
Pamela Cleaver

SHADES OF ARTEMIS: A NOVEL OF ANCIENT GREECE AND THE SPARTAN BRASIDAS
Jon Edward Martin, PublishAmerica, 2004, $19.95, pb, 320pp, 1413745822
This novel is set in the fifth century B.C. in ancient Greece, immediately after the combined forces of Athens and Sparta defeated the mighty Persian Empire.  The novel follows the fortunes of Athens, Sparta, and their natural rivalry through the lives of three men: Brasidas, the main protagonist, whose unorthodox yet highly successful strategies helped to forward Sparta’s military agenda; Cleon, the Athenian demagogue; and the Athenian general Thucydides, whose chronicles of the Peloponnesian War contain the historical basis for this novel.
     The story begins by following the extensive military training of Brasidas from an early age, his colleagues, the drama of his early life, and his primary opponents.  The drama moves back and forth between the youths of Cleon and Thucydides in Athens, and that of Brasidas in Sparta.  As the story progresses, the reader follows the rise of these three men in their respective historical positions, reaching a climax with Cleon becoming the architect of war policy in Athens, Thucydides’ recording of the horrors of ancient combat and the plague that strikes Athens, and Brasidas’s efforts to bring an end to the Peloponnesian War with Athens.
     This novel is well constructed, and the drama is ongoing and exciting.  The author provides a list of main characters at the beginning of the book and a glossary of terms at the end.  These two additions helped me to follow the storyline much more easily, given that there are many terms, places, and names that may be unfamiliar to most readers.  Once acclimated to the characters and the semantics, however, the author guides the reader through the interesting lives and careers of the important men in Athens and Sparta at the end of the Peloponnesian War.
Brad Eden

THE DRIFTERS: A CHRISTIAN HISTORICAL NOVEL OF THE MELUNGEON SHANTY BOAT PEOPLE
Tonya Holmes Shook, Marquette Books, 2005, $19.95, pb, 311pp, 092299319X
This novel takes place in America, beginning around the 1830s and ending after the Civil War.  The characters, Melungeon shanty boat people, are a biracial mix of Cherokee and Caucasian bloodlines.  Their story is told through the viewpoint of the main character, Harriet Holmes.  Created by the author around known portions of the author’s family history, the novel is a fictionalized biography of Harriet’s life.  Photographs of Holmes family members, including Harriet, appear throughout. The book opens with Harriet pregnant, fifteen-years-old, and newly married to shanty boat dweller Canady Holmes.  Through Harriet’s experiences, the reader learns of societal wrongs suffered by the clannish Melungeon people, who must hide from Indian removal.  The Holmes family barely scratches out a living as they travel along the rivers of Kentucky, Virginia, and Tennessee.  The tension created by this family’s struggle for survival and the hardships they endure during and after the Civil War carries the story.
     The author does not spare her characters from brutalities in this riveting tale.  Indeed, if a flaw in this tale could be found, it may be that the reader must suspend belief to accept that so much tragedy could happen to one family and that the mother of that family could come through it all with self and sensibilities intact.  Readers will be curious to learn how brushes with Christians along the way help Harriet to have hope for the future of her family.
     This novel will elicit every emotion from a reader, as it is a love story as well as an account of suffering.  The author’s fine storytelling, coupled with believable and endearing characters, presents an unforgettable tale.  This fast-paced, dramatic narrative will draw those interested in Native American history, and will also most certainly provide enjoyable reading for a wider audience.
Judith Carroll

GENTLEMAN SURGEON
Katherine Springs, Heritage Letterpress, 2004, $19.95, pb, 382pp, 097542341X
There is a lot to like about this book. It is the story of Thomas Wotton, an Elizabethan gentleman, well connected to persons about the court, who had a burning desire to become a surgeon. This was not well received by his guardian because, at that time, surgeons were low class people who were not even allowed to perform operations without the permission of a physician. Tom stuck to his guns and went even further: his ambition was to see the two kinds of doctoring amalgamated in one person. We follow his adventures as he practices surgery; struggles against a particularly spiteful physician; travels to Padua where he studies under Galileo and becomes friends with Harvey, the man who discovered the circulation of the blood; and eventually goes to the New World to be part of the beginnings of Jamestown.
     Ms. Springs has dealt well with Tom’s doctoring; she gives us enough information to make it seem authentic without overdoing the medical details. The character of Tom is well drawn, and in the course of the book he rubs shoulders with many famous people. The author’s research cannot be faulted, and this leads to what I have against the book. Because she has chosen to use so much of her research, the story is too diffuse. The first four chapters that tell of Tom’s early years hold the reader back from getting to the main story of his adventures as a surgeon and could be dispensed with. Add to this a rather tiresome romance, and once again the focus is clouded.  It is an interesting read that would have benefited from some cutting.
Pamela Cleaver

MASTERS OF THE AIR
Debra Tash, Amber Quill Press, 2004, $19.00, pb, 366 pp, 1592798306
Michael Ryan, a World War I veteran with a shady past and a love of aviation, travels the U.S. as an itinerant barnstormer. During his travels, Ryan meets Jake Stimpson, who left his wealthy family to make his own fortune. Ryan and Stimpson soon become business partners.  Stimpson lives for adventure, but Ryan’s goals are to have a family and a stable home—two things he did not have as the child of a heroin-addicted prostitute.
     An encounter with a wealthy client of the partners’ rum-running business leads the men to the passenger air travel business, and the novel then follows their lives and loves.  The second half of the novel takes place in the 1970s and focuses on Ryan’s granddaughter Rachel, who is desperately trying to unravel family secrets that have been hidden for two generations.
     Though there are times, particularly in the second half of the novel, where the tragedies that befall the Ryan family seem almost gratuitous, Masters of the Air is a good read. The details about the early days of American commercial aviation are particularly fascinating, the characters are well-drawn, and the story is fast-paced and engaging. Recommended.
Nanette Donohue

DESPERATE MEASURES
Mary E. Young, iUniverse, 2003, $16.95, pb, 242 pp, 059527868X
Newspaper reporter Dan Kirk is working the police beat for the Detroit Free Press on a cold November day in 1945 when the body of Twyla Larson is recovered from the Clinton River. At first, the crime seems to be a curious, random act of violence against a soldier’s wife, but as Kirk delves deeper with his investigation, he finds that Twyla Larson was connected with a number of notorious figures in Detroit’s criminal underground, including former rum-runner and corrupt cop Cliff Malin and swindler and mobster Vince Di Grassi.
     Malin first encounters Twyla at a nightclub, where he befriends her and offers her a job “delivering packages” to various businesses around town. Eager to supplement her income, Twyla accepts the opportunity and has a variety of run-ins with shady underworld characters, specifically Vince Di Grassi, who swindles Twyla out of most of her savings. Since Malin and Di Grassi both have motives for murdering Twyla, it is up to Kirk and his associates in the Detroit PD to sort out the details and solve the mystery.
     Though it occasionally seems that Young strays from the main story onto tangents about minor, even unrelated, characters, the story is fast-paced, and the mystery keeps the reader’s attention. The novel is based on the life of the author’s father’s first wife, which could explain some of the realism and attention to personal details. The descriptions of Prohibition and Depression-era Detroit are lively and fascinating, and Cliff Malin is an intriguing villain whose weaknesses for expensive clothes, flashy cars, and beautiful women finally get the best of him. The twist at the end of the book is an excellent finish to a very good read. Recommended.
Nanette Donohue

CHILDREN'S & YOUNG ADULT NOVELS

HENRY OF YORK AND THE SECRET OF JUAN DE VEGA
Kent Holsather, Lonejack Mountain Press, 2003, $12.95, pb, 176pp, 0972910115
Bellingham, near Seattle, in 1908.
     Thirteen-year-old Henry Collins has one great ambition –– to be a detective. When Sailor Bill disappears, Henry suspects that he has been murdered. The daughter of a wealthy banker, Sara Flint, finds her life of luxury boring and craves excitement, and she makes herself Henry’s partner. Together the two children embark on an investigation. They find that Bill’s fate is closely linked with events from Bellingham’s distant history before an encounter with Bill’s murderers puts them both in deadly danger.
     The historical background, which is skilfully worked into the very fabric of the story, covers a wide sweep of Bellingham’s history.  The importance of the sea is shown by the character of Sailor Bill. The story of Juan de Vega and his treasure map hark back to the Spanish pirates of four hundred years ago. And the climax when Henry and Sara are fighting for their lives in a flooded mine underneath Bellingham is a startling reminder of the significance of mining in the area in the nineteenth century.
     On a more everyday level, Sara’s father is very proud of his new motor car. The children are taken to Buffalo Bill’s circus where Sara angers her mother by riding a calf. To say nothing of little touches like the children carrying their lunch to school in pails.
     Kent Holsather has lived all his life in Bellingham, Washington, and is a dedicated local historian. This story is clearly founded on his own research. In this case it is a pity that he did not include historical notes and a note on his sources.
     But this criticism apart this is still an exciting story with an authentic historical background. There are even a few hints of rights of passage.
     Well worth reading.
     Ages 10-14
Mary S. Moffat

SALLIE FOX: THE STORY OF A PIONEER GIRL
Dorothy Kupcha Leland, Illustrations Diane Wilde, Tomato Enterprises, 1995, $8.95, pb, 118pp, 0961735767
This is a fictionalised version of a true story which closely follows the several remaining memoirs and journals. There are historical notes and contemporary photographs.
     Sallie Fox is twelve and with a wagon train travelling to California. They make steady progress till they reach Albuquerque, New Mexico, where they stay for a week while they rest and gather more provisions. When they press on again they do not take the much travelled and well known Gila Trail but instead the shorter  northern Beale Wagon Road.
     This turns out to be a mistake, as they find that the springs and water holes have dried up. Then just as they are about to cross the Colorado River they are attacked by Indians. Sallie's father is killed, Sallie herself wounded and most of the animals driven off.  It is five hundred miles back to Albuquerque, but they will have to walk. There will be the problem of finding water and the danger of further Indian attacks.
     Throughout this book Sallie has a watchword: Patience and Perseverance. She is constantly being told this –– in the early stages of the journey when she is bored and fretting and later when they are in danger from the Indians or from dying of thirst.
     Sallie Fox is a well documented account of the struggles of the early pioneers. It is partly aimed at Californian schoolchildren, but the underlining themes of courage in adversity and the way in which the human spirit can overcome the most appalling dangers are both timeless and universal.
     ‘Patience and Perseverance.’ We can all do to remember these words.
     Very highly recommended.
     Ages 9+
Mary S. Moffat

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